Queerass(é): Act I – “Songs of a Genderless Body” - QUEERASS(É): ACT I – “SONGS OF A GENDERLESS BODY”.
Fragility as Poetics in the Politics of Performance
Keywords:
performance, body, gender, politicAbstract
This article analyzes the poetics of indeterminacy in Queerass(é): Act I – “Chants of a Genderless Body”, a performance created by Mau Cugat, an Argentine artist based in France. Drawing on national and international reviews and engaging with the theoretical perspectives of Judith Butler, Karen Barad, and Sara Ahmed, the paper explores how the work dismantles normative representations of the body and proposes an affective, posthumanist materiality. It argues that the piece articulates a politics of vulnerability in which the body —through suspension and exposure— becomes an event rather than a representation. Indeterminacy thus emerges as both an aesthetic and political strategy that reconfigures the relationship between matter, affect, and gaze within contemporary performance practices.
References
Dramis, A. (2025, 23 de julio). Queerass(é) Acto 1: un réquiem para despedir los géneros. Página/12. https://www.pagina12.com.ar/843726-queerass-e-acto-1-un-requiem-para-despedir-los-generos
Tiempo Argentino. (2025, 8 de julio). «Queerass(é)»: la apasionante proclama poético-política de Mau Cugat. Tiempo Argentino. https://www.tiempoar.com.ar/ta_article/queerasse-poetica-politica-mau-cugat/
Saravia, C. (2025, 23 de agosto). Queerass(é): la poética de un cuerpo sin género. Marcha Noticias. https://marcha.org.ar/queerasse-canticos-de-un-cuerpo-sin-genero/
Uceda, G. P. (2025, 4 de agosto). Queerass(é) – Mau Cugat. Alerta Cultural. https://www.alertacultural.com/queerasse-acto-i-canticos-de-un-cuerpo-sin-genero/
Kafka, Y. (2024, 7 de febrero). Festival Trente Trente 2024 – Épisode 5: Queerass(é). La Revue du Spectacle. https://www.larevueduspectacle.fr/Festival-Trente-Trente-2024-Episode-5-Queerass-e--Lontano--Landing_a3813.html
Published
Versions
- 2026-07-20 (2)
- 2025-12-16 (1)
How to Cite
Issue
Section
License
Copyright (c) 2025 Leonel Matías Gutierrez

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
As part of its self-archiving policy, the journal's editorial team retains the version of the article that has been corrected and published on the platform for preservation or subsequent use in institutional repositories, virtual archives, or other linked publication venues.
This journal is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Creative Commons License
This means that the original author of the content holds the economic rights. By publishing under a Creative Commons BY-NC-SA license, authors retain ownership of their rights while granting the journal a license to publish their work under these conditions; they also allow third parties to share and adapt the work for non-commercial purposes, provided that authorship is attributed and derivative works are shared under the same license.
Understanding the CC BY-NC-SA License
BY (Attribution): Users must give credit to the author or original source.
NC (Non-Commercial): Users may not use the work or its derivatives for commercial purposes.
SA (ShareAlike): If users modify or adapt the work, they must distribute their contributions under the same CC BY-NC-SA license or a compatible one.










