El llanto de mi tía o una reflexión sobre el trabajo del actor
Abstract
“En la vida real la madre ruega por la vida de su hijo, el criminal
ruega por su perdón, el amante reconciliador ruega para tener
otra oportunidad. Esa gente no se preocupa de su estado y toda
su atención recae en la persona a la que ruegan. Esa obertura
hacia afuera lleva al actor a un estado de enorme sensibilidad y
hace que su progreso sea emocionante de mirar.”
“En la vida no hay preparación emocional para la pérdida, el
dolor, la sorpresa, la traición, el descubrimiento; y en el escenario
tampoco”
David Mamet
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Published
2021-06-01
How to Cite
Levin, D. (2021). El llanto de mi tía o una reflexión sobre el trabajo del actor. The Step. Notebook of Theatre Studies, (15). Retrieved from https://www.ojs.arte.unicen.edu.ar/index.php/elpeldano/article/view/964
Issue
Section
El Cuerpo del Drama
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