Mitologías de la antropología teatral
Abstract
Hemos notado que frecuentemente en la praxis del habla de las personas
relacionadas al arte teatral de nuestro medio, existen significaciones y/o formas
de consideración del campo de estudio de la Antropología Teatral, que la
confunden y/o yuxtaponen con el resultado estético de los espectáculos del
Odin Teatret y/o con el pensamiento político de Eugenio Barba, el Tercer
Teatro. Nos parece oportuno el planteamiento de esta problemática ya que los
contenidos significativos disímiles, que confunden diversos planos de la activi-
dad del fundador de la Antropología Teatral, dificulta su estudio e impide el
aprovechamiento de los hallazgos que la misma ha hecho en relación al trabajo
del actor.
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