The “Hall Abierto” project as a mechanism for access to the arts and cultures

Authors

Keywords:

exhibitions, dispositives, extension

Abstract

This article aims to revisit the experience of the Open Hall outreach project at the Faculty of Arts of the UNCPBA (National University of Central Buenos Aires). Through exhibitions guided by the principles of affective curatorship, cultural mediation, and cultural citizenship, this initiative seeks to promote access to the arts and the participation of new audiences by transforming the institutional hall into a cultural, pedagogical, and political space. Collaboration with the educational system and social organizations has fostered significant experiences of collective creation and reflection, redefining the university space as a shared, open, and democratic territory. Examples of exhibitions such as Carnivals and Democracies and Villa Aguirre in Memory demonstrate its territorial impact. With over ten years of operation, the Open Hall has established itself as a critical outreach practice and a guarantor of cultural rights.

 

References

Chaui, M. (2013) Ciudadanía cultural. El derecho a la cultura- RGC

Chauí, M. Cultura y Democracia.(2008) En publicación: Cuadernos del Pensamiento Crítico Latinoamericano no. 8. Buenos Aires : CLACSO, Consejo Latinoamericano de Ciencias Sociales. Mayo

Corvalan, K. (2021) Curaduría afectiva- Cariño ediciones, 2021.

Durán A. (2016) Nuevos públicos artes, escénicas y escuela. Cuando los jóvenes devienen espectadores. Leviatán.

François Mairesse y Bruno Nassim Aboudrar. (2018) La mediación Cultural. Libros UNA

Hellemeyer, A.(2012). Michel Foucault: episteme, dispositivo y prácticas. IV Congreso Internacional de Investigación y Práctica Profesional en Psicología XIX Jornadas de Investigación VIII Encuentro de Investigadores en Psicología del MERCOSUR. Facultad de Psicología - Universidad de Buenos Aires, Buenos Aires.

Edwin Harvey. (1995) Derecho Culturales. UNESCO.

Published

2025-12-16 — Updated on 2026-07-20

Versions

How to Cite

Vidal, E. E., & Cheves, S. (2026). The “Hall Abierto” project as a mechanism for access to the arts and cultures. The Step. Notebook of Theatre Studies, 2(25), 49–55. Retrieved from https://www.ojs.arte.unicen.edu.ar/index.php/elpeldano/article/view/1532 (Original work published December 16, 2025)