No. 6 (2017): Identities, subjectivities and institutions in the arts (II)

Published: 2017-12-30

Presentation

• Presentation

  Javier Campo

  1-2

  • PDF (Español (España))

Studies

• Municipal School of Theater of Tandil: historical construction and theatrical identity

  Josefina Villamañe Meizoso

  3-20

  • PDF (Español (España))

• The Creative Side of Acting: The Case of Mirella Pascual in Whisky

  Carmela Marrero Castro

  21-35

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• A story of flags in Los días de junio

  Alejandra Heffes, Agustina Bertone

  36-67

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• The threading of revolutionary memory from Juan, como si nada hubiera sucedido to M

  Daniel Giacomelli

  68-82

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• Emergence and consolidation of the electronic image in the mid-1980s.

  Luciana Pallero

  83-104

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• Self-management on the net: the cyberactivism of cultural centers in the City of Buenos Aires.

  Karina Benito Ferrer

  105-126

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• What do you want to tell me? The problem of representation

  Federico Bagnato

  127-144

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Early Writings

• Price of punishment delivery: "The native, the tanguero and her prostitute daughter" from Antonio Berni to Ramona Montiel

  Martina Cabrera

  145-151

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Interviews

• "It is much more important to consider reality as the means that determines the conditions of production, than to think of reality as that represented mimetically by the film or the novel." Interview with Román Setton

  Daniel Giacomelli

  152-155

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Reviews

• 

  Javier Campo, Revolución y Democracia. El cine documental argentino del exilio (1976-1984) (Ciccus, 2017)

  Luciano Barandiarán

  156-159

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