Stage dramaturgies, writings and theatrical rewrites: theoretical afterthoughts towards Medea (2009), directed by Pompeyo Audivert

Abstract

The relationship between dramaturgy and theatrical event is the fundamental way to rethink said categories. In this article we are going to concentrate on one of the most productive dimensions of this revision: that of the scenic dramaturgies, with the aim of drawing attention to the imperative need of its rescue, conservation and study. We will briefly consider as a case the staging Medea (2009), based on the text of Euripides, directed by Pompeyo Audivert.