The capture of the fragile

Abstract

This essay discusses the scenic creation process of Los días de la fragilidad, a text by Andrés Gallina written in 2015 and premiered in 2018 at Estudio Fraga (Chacarita, Federal Capital), under my direction. It is structured in discontinuous notes which aim to account for the tensions between text and scene, that experience of the fragile, from the work of directing as a production of a hallucinatory effect, a perceptual accident, both within the creative group as in the public.