Dramaturgical and scenic composition: a poetic event

Abstract

The following article proposes a meditation on the poetic language as an aesthetic principle for dramaturgical and scenic composition, considering the theatrical event as a poetic event. From the dramatic writing and staging experience of the author and director, the process of creating the play Sal de Amor is described, as well as theoretical foundations that support this aesthetic conception. Of the coexistence of languages - verbal, bodily, luminous, sonorous - that acquire tone and poetic strength every time the word crosses it through lyricism ... How is this lyrical space created? How is the passage of textual dramaturgy articulated? To the scenic dramaturgy? How do the stage director and the body of the actresses intervene in that poetic construction? What role is given to the viewer? These are some of the questions that structure this work.