The theater of Daniel Dalmaroni or the naturalization of violence

Abstract

Daniel Dalmaroni's theater demonstrates how violence, free and usually mortal, among members of a family or supposed friends, is the privileged form of human interrelation in modern times. They symbolize by their language and characters the Argentine personality in the midst of the decline of the pety bourgeoisie, but their black comedies have acquired fame in many of the Spanish-speaking countries, which verifies their universality and explains their success, as well as becoming Sociological reading of an irreducible reality of the present human