Seeing sounds or hearing images

Mary Ellen Bute from Filmmakers’ Theory

Authors

DOI:

https://doi.org/10.56991/a.18.1180

Abstract

The article presents a literature review about the American filmmaker Mary Ellen Bute. In light of the approach proposed by the Filmmakers’ Theory (Penafria et al., 2015, 2016, 2017, 2020), we intend to verify possible research paths based on the writings, interviews, and process documents produced by the artist herself and made available by the Beinecke Library, Yale University's manuscript repository. Thus, this text is dedicated to mapping and reviewing Bute’s bibliography and other relevant research sources, seeking to articulate theoretical and methodological bases for the development of future studies on a still little-recognized filmmaker.

Author Biographies

Vitor Droppa Wadowski Fonseca, Universidade Estadual do Paraná (UNESPAR), Brasil

Master's student in Cinema and Video Arts (PPG-CINEAV) at the State University of
Paraná (UNESPAR, Brazil), with a degree in Visual Arts at the same institution. He is a
research fellow of the CNPq’s group CineCriare, developing a research project linked to
the line Processes of Creation in Cinema and Video Arts. E-mail: vitordwfonseca@gmail.com. Orcid: https://orcid.org/0000-0002-5155-5001.

Débora Regina Opolski, Universidade Estadual do Paraná (UNESPAR, Brasil)

Advisor, professor of the Master’s Program in Cinema and Video Arts at the State
University of Paraná (UNESPAR, Brazil), and in the Arts course at the Federal
University of Paraná (UFPR, Brazil). PhD in Communication and Languages (Cinema
and Audiovisual) from the Universidade Tuiuti do Paraná (UTP), with a Masters and
Bachelor's degree in Music from the Federal University of Paraná. E-mail:
deboraopolski@gmail.com. Orcid: https://orcid.org/0000-0002-7784-3626.

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Published

2024-06-06

How to Cite

Droppa Wadowski Fonseca, V., & Regina Opolski, D. (2024). Seeing sounds or hearing images: Mary Ellen Bute from Filmmakers’ Theory. AURA. Revista De Historia Y Teoría Del Arte, (18). https://doi.org/10.56991/a.18.1180

Issue

No. 18 (2023): Nuevos imaginarios intermediales. Imbricaciones entre la escena argentina y otros medios expresivos

Section

Traducciones

License

Copyright (c) 2024 Vitor Droppa Wadowski Fonseca, Débora Regina Opolski

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.