Typography as an Intermedial Crossover Space

A Problematization Based on “Los maestros tipógrafos”, by Mario Ortiz, and The New Typography, by Jan Tschichold

Authors

  • Darío Steimberg Universidad Nacional de las Artes

DOI:

https://doi.org/10.56991/a.17.1170

Keywords:

tipografía, diseño de grafías, significaciones, Los maestros tipógrafos, estética

Abstract

The question on the role of typography in our writing practices requires the consideration of a remarkable set of outskirts of the text. It is in principle a form, but its function is not limited to enabling the transfer of meaning by means of marks on a material surface. Mario Ortiz's “Los maestros tipógrafos” and Jan Tschichold's The New Typography take a multiple approach: historical, aesthetic, mythical... Their journey allows us to rethink the ways in which the design of typefaces participate in the meanings that constitute each era. They invite us to reflect on a problem that crosses media and is at the basis of our cultures.

Published

2023-11-07

How to Cite

Steimberg, D. (2023). Typography as an Intermedial Crossover Space: A Problematization Based on “Los maestros tipógrafos”, by Mario Ortiz, and The New Typography, by Jan Tschichold. AURA. Revista De Historia Y Teoría Del Arte, (17), 99–110. https://doi.org/10.56991/a.17.1170